Ultimately though, I was charmed by Go Fish. Likewise, the acting can be rather stilted. The filmmakers haven’t quite gotten the hang of starting and ending scenes naturally so those transitions can be a bit awkward. It’s also a prime example of what I was talking about above an academic discussion of lesbianism that does not occur naturally and does not advance the plot.Īs it is a low-budget directorial debut, some of the film making is a bit rough. Sexual politics having moved on significantly from the time this film was made to when I saw it, this scene was dated and made me sad. The group lambasts her and her identity as a lesbian is more or less put on trial. Worst of these is a long scene of a lesbian admitting the a group of fellow lesbians that she slept with a man. These scenes don’t evolve the plot and they don’t occur in a way that feels particularly natural. Characters discuss issues of gender and sexuality in a way that threw me back to taking first year gender studies courses in college. There’s a tendency for characters to be used as mouthpieces for the opinions of filmmakers.
#Go fish movie movie
Where I find this movie falters is that it gets to academic. That’s not something I can say about most WLW characters in film who are all too dramatic with lives too remarkable to seem like people I would ever encounter. The characters depicted in Go Fish feel like lesbians you’d meet in real life. Go Fish has really captured some truth of lesbian culture that remains true today. All of them have a complex relationship of having dated, broken up with or mutually friend-zoning each other member. It’s also funny to see the incestuous closeness of circle of friends populated by queer women. The characters really do seem like friends and it’s sweet and funny when a new person shows up and falls effortlessly into the pre-established intimacy. I found these to be the most charming scenes. There’s a handful of scenes throughout the movie where an ever-changing cast of lesbian friends discuss Max and Ely’s relationship. Wendy McMillan, Migdalia Melendez, and Anastasia Sharp.My favourite aspect of Go Fish is the depiction of the lesbian community. Brodie), this movie dives into fantasy and stylized internal monologues with the same aplomb it brings to the buildup to a hot date. (And though the characters vary in age, there’s a clear note of shared adolescent braggadocio in the way that sex and romance here only become real after they’re talked about.) Written and produced by Troche in collaboration with Guinevere Turner, the younger of the two romantic leads (the other is V.S.
Rossetti’s shooting style to Brendan Dolan and Jennifer Sharpe’s jazz score to the breezy rhythmic stretches bridging narrative sequences-keep it bouncing along like a clear spring day.
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As in the better American underground movies of the 60s, which this sometimes resembles, the youthfulness and the footloose free spirit-evident in everything from the performances to Ann T. This isn’t a movie about lesbians it’s a movie about these lesbians, and we’re likely to think of them afterward as if they were people we knew. One of the delightful things about Rose Troche’s stylish, low-budget, filmed-in-Chicago black-and-white lesbian comedy (1994) is that its characters all register as real people, even when bits of the dialogue are stiff or some of the lip sync is off.
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